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Lesson 9 - Improvisation

Spontaneity and Creativity on Set

Improvisation in acting refers to the ability to create spontaneous and creative moments during a performance, often without a script or pre-determined dialogue. It requires actors to think quickly on their feet, react authentically to their fellow actors, and make bold choices in the moment. Improvisation can bring a sense of freshness, spontaneity, and naturalism to a scene, allowing actors to explore new ideas and take risks.

Case Study: Let’s consider the case of an actor preparing for a role in a film that heavily relies on improvisation. The actor’s character is a quirky and eccentric individual who frequently finds themselves in unpredictable situations. To effectively portray this character, the actor needs to embrace spontaneity and tap into their creative instincts.

Here are some simple rules to follow in an improvisation scene.

Improvisation "Rules"

Understanding the Character:

  • ​Begin by thoroughly understanding the character’s background, motivations, and objectives. Develop a clear sense of who the character is and how they would respond in various situations. This understanding will serve as a foundation for your improvisational choices. Don’t ever play a scene with details from your own life. Don’t be you, be a character. That’s the fun about acting. We don’t have to be ourselves. We can be anyone! Let your creativity run and make a character that is memorable.

Active Listening:

  • Improvisation relies heavily on active listening. Practice being fully present in the moment, actively listening to your scene partners, and responding genuinely to their cues. Pay attention to their body language, tone, and emotions, and allow yourself to react instinctively. When you have a improv scene with multiple people, everyone can’t talk at the same time. Listen! Learn when to contribute and when to let others contribute. Ask yourself if you lean more towards “Leading” the story along, or if you lean towards following everyone elses creative contributions. Which ever side you lean towards, I would encourage you to gravitate more towards the middle so you can lead when you need to and follow other people’s ideas as well.

Yes, And… 

The “Yes, And…” principle is a fundamental rule in improvisation. It involves accepting and building upon the ideas presented by your scene partners. Rather than blocking or negating their contributions, respond with an affirmative “yes” and add something new to the scene. This approach encourages collaboration and creativity. If the actors continually respond negatively or with a simple “no,” the improv is derailed, ends quickly, or is uninteresting. For example:
Tom – “Look, there is a monkey riding a motorcycle!”
Louise: “No its not.”
Scene over. Rather try…
Tom – “Look, there is a monkey riding a motorcycle!”
​Louise – “Yes…and do you see that hippo chasing him on a moped?”
When you accept the contributions of your fellow actor, they are more inclined to be creative and make more contributions and ultimately a better scene because everyone is involved.

​Embracing Mistakes:

In improvisation, mistakes are often seen as opportunities for growth and creativity. Don’t be afraid to make mistakes or take risks. Embrace them as learning experiences and use them to fuel your performance. Sometimes, the most memorable and authentic moments arise from unexpected choices. Don’t get hung up with trying to think of the absolute perfect idea in the moment before you say anything. Go with the first ideas that pop into your head and go with it. Make it work! Don’t let long pauses or silence linger. It kills the scene.
By mastering emotional range, actors can breathe life into their characters, elicit powerful responses from the audience, and create memorable performances. It requires dedicated practice, introspection, and a willingness to explore the vast landscape of human emotions.

Exercise

​Bus Stop: The first person is sitting on a chair imagining that it is a bench at a bus stop. They are a regular person waiting for the bus. The next person that comes along is “a little off”. The second person sits down and they have a conversation waiting for the bus. After some time goes by, someone says, “Beep, Beep, here comes the bus”. At that point, wrap up the scene neatly.
​Word Association: Stand in a circle with fellow actors. Start with a random word and go around the circle, each person saying a word that is associated with the previous one. This exercise helps develop spontaneity and quick thinking.
​Character Swap: Choose a scene from a well-known play or movie or the list below and assign characters randomly. Rehearse the scene with the new character assignments, allowing each actor to embody a different personality. After you have performed the scene a couple times, swap roles and see how it changes. This exercise encourages flexibility and adaptability.• Visiting the parents-in-law
• Politician candidate canvassing for votes
• Gangster who has been shot visiting a doctor to remove the bullets
• Helping a friend deal with amnesia
• On Noah’s ark
• First date​
• Visiting the Doctor
• Buying a second hand car
• Visiting someone in hospital• Firing someone
Remember, improvisation requires practice and a willingness to step outside your comfort zone. By embracing spontaneity and creativity, actors can bring a fresh and vibrant energy to their performances, enhancing the overall quality of their work on set.

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